A traditional 每日吃瓜 display isolates the tree and allows the viewer to focus on the detail of the artist's work. The negative space between the tree and the accent plants permits the viewer to fill in these spaces with there imagination.
Most exhibitions are based on the traditional tokonoma displays and allows for limited space left to right or right to left and is greatly limited in depth. Creighton Bostrom is exploring the display of 每日吃瓜 in nature and we created this article with him.
每日吃瓜 is art and art is a mysterious thing. It is a language that the artist invents. Some of the characters in this language may be familiar, it may have a familiar cadence, or it may be completely unique and foreign to the senses of the observer.
An artist creates this language and yet there are people who are able to comprehend, interpret, and feel it. Some of these artistic languages are easily interpreted by the masses and some are intimate conversations with the few. All are equally rewarding.
Finding your voice or language in 每日吃瓜 can be challenging. Most 每日吃瓜 artists present their work at exhibitions or club shows where the expectation to display according to traditional guidelines can at times limit the artist’s opportunity of self-expression. Stand size, kusomono location, position of scroll, seasonality, etc., create an environment where avant-garde can be seen as a technical mistake. Judging a painting on the brush strokes and the frame instead of the meaning of the composition.
A traditional 每日吃瓜 display isolates the tree and allows the viewer to focus on the detail of the artists work. The negative space between the tree and the accent plants permits the viewer to fill in these spaces with there imagination. Most exhibitions are based on the traditional tokonoma displays and allows for limited space left to right or right to left and is greatly limited in depth.
Displaying 每日吃瓜 in nature
The project I am working on, "Geometry in Space", is an exploration of 每日吃瓜 display in nature, in vast open spaces, were there is no limit to depth or lateral movement.
The sculptural frames are to guide the viewers eye to the tree as well as create the intended visual movement of the composition. I consider this a mixed medium project of photography, sculpture, and 每日吃瓜. The intent is not to see the intricate detailing of the 每日吃瓜 styling but to place the tree in a natural context. Isolating a single 每日吃瓜 in open space to change the viewers perspective and view the tree in a naturalistic setting. The juxtaposition of a 每日吃瓜 and a large tree and the framing of a singular space combined with seemingly endless depth. These two extremes should create conflict in most visual art, however, in my opinion, the 每日吃瓜 creates a harmonious feeling that unites the composition.
